“The audience burst into spontaneous and repeated applause after the first movement, which the soloist had crowned with a brilliantly played cadenza….And where could you hear a larghetto played as divinely beautifully as by Milwidsky?”
- Süddeutsche Zeitung, Oct 2019 (Beethoven Violin Concerto)
Named a 2023 Classic FM Rising Star and One to Watch by Gramophone Magazine, British violinist Mathilde Milwidsky has been praised by The Strad’s Charlotte Gardner for her “perfect intonation and beautiful shaping and colouring, comprehensively nailing each new stylistic and emotional universe as she went”. She was the sole British violinist to be selected for the 2024 Queen Elisabeth Violin Competition, during which the Belgian national newspaper Le Soir praised her performance for its ’mastery and musicality’. In 2019 she was awarded 3rd Prize and a Special Prize at the prestigious Windsor Festival International String Competition and in 2021 and 2022 Mathilde was invited to the Verbier Festival Academy on the Soloist & Chamber Music Programme, as one of only seven violinists chosen worldwide.
Mathilde has performed as a soloist at leading concert halls such as Wigmore Hall, Royal Festival Hall, Flagey (Brussels), Kings Place, Cadogan Hall and St John’s Smith Square. Her frequent radio appearances have included Scala Radio’s ‘One to Watch’, BBC Radio 3 ‘In Tune’, Deutschlandfunk Kultur’s Hörprobe, Radio Swiss Classic, Yle Radio Suomi and Hessischer Rundfunk and she has been invited to perform at festivals including Krzyżowa, IMS Prussia Cove, Two Moors, Musikdorf Ernen, Fränkische Musiktage, Edinburgh, Lerici and Cheltenham, enjoying collaborations with musicians including Anthony Marwood, Avi Avital, Lars Anders Tomter, Mark Simpson, Raphaela Gromes, Pablo Barragán, Adrian Brendel, Ettore Causa, the Doric Quartet and members of Quatuor Ébène.
For her debut CD, released in 2020 on Toccata Classics, Mathilde made the world premiere recordings of Agnes Zimmerman’s three Sonatas for violin and piano with pianist Sam Haywood. Mathilde was subsequently named Classical Music Magazine’s ‘Artist of the Month’ and received high praise from critics - “Mathilde Milwidsky is simply terrific, her tone, technique and temperament the ideal mix and balance for these works. Five stars: I’d give it 10 if I could.” (Fanfare magazine, US); “great conviction by honest and talented performers” (Crescendo magazine, FR); “a rich velvety sound… interpreted in an exemplary manner.” (Online Musik Magazine). Her latest recording, released on the Guild label, is of the Beethoven Romances for Violin and Orchestra alongside the National Symphony Orchestra, and received a five-star review in Musical Opinion.
Mathilde has worked closely with leading composers including Brett Dean, Mark Simpson, Cheryl Frances-Hoad, Garth Knox, Huw Watkins, Sally Beamish and Joseph Phibbs. Notable premieres have included Sally Beamish’s Wild Swans at St John’s Smith Square in 2018 with pianist Huw Watkins, Joseph Phibbs’s Violin Sonata at Presteigne Festival in 2020 partnered by Clare Hammond and Deborah Pritchard’s Liberty for soprano, violin and piano alongside Huw Watkins and Ruby Hughes at Two Moors Festival in 2023.
Mathilde won First Prize and Audience Prize at the 2018 Aurora Music Competition in Sweden, First Prize in the String Section at the 2017 Royal Overseas League Music Competition, and was a semi-finalist laureate of the International Joseph Joachim Violin Competition, Hanover, in 2018. While studying in Germany, she was an awardee of the Deutsche Stiftung Musikleben’s Musikinstrumentfonds Competition, won Third Prize in the Bundesweiter Hochschulwettbewerb of the Peter-Pirazzi-Stiftung as well as the prestigious Deutschlandstipendium scholarship. Mathilde was awarded a place on the St John’s Smith Square Young Artist Scheme for the 2017/18 season, and was an Artist on the Countess of Munster Recital Scheme from 2020-22.
Born in London in 1994, Mathilde's studies began at her local primary school with Ilya Ushakov before joining the Royal College of Music Junior Department as a Tsukanov Scholar under Viktoria Grigoreva and David Takeno. She won a place to read Music at Trinity College, Cambridge and full scholarships to all the London conservatoires, eventually deciding to attend the Royal Academy of Music on a full scholarship with György Pauk, then undertaking her Masters and Konzertexam (Excellence in Performance) with Professor Mi-kyung Lee at the Hochschule für Musik und Theater München. Additional inspiration has come from masterclasses with Midori, Steven Isserlis, Leonidas Kavakos, Maxim Vengerov, Augustin Dumay and members of the London Haydn Quartet.
As of September 2024, Mathilde is a Professor of violin at the Royal College of Music, London.
She plays a very fine 1790 Nicolas Lupot violin, generously lent by Mr. Wolfgang Hamberger.
August 2024